ABOUT fuzz

I grew up obsessed with finding music.

Back then, I didn't even have internet at home. Whenever I got access to internert, I'd fill hard drives with music and spend weeks listening to them. Learning every breakdown, every vocal, every drop. Finding a great track wasn't just exciting — it felt like finding something worth sharing.

A friend eventually introduced me to Virtual DJ and I became hooked. Not because I wanted to be a DJ, but because I wanted to play the music I loved.

While most people around me were playing whatever was popular at the time, I was showing up to small parties with dirty Dutch, electro house and whatever weird club records I'd discovered that week. Sometimes it worked. Sometimes it completely bombed. Either way, I loved it.

What always excited me wasn't performing.

It was discovery.

That feeling when you hear a track and instantly think:

"I need to play this."

Years later, that feeling still drives everything I do.

Over time my sound moved through different scenes and genres. Dutch house, jersey club, Baltimore club, UK garage, footwork, bass music, edits, remixes and everything in between. The genres changed, but the goal never did.

Create energy.

I don't think people come to a FUZZ set because of a specific genre. I think they come because they know there's a good chance they'll hear something they weren't expecting.

A forgotten vocal.

A track they haven't heard in years.

An unreleased edit.

A record from a producer they've never heard before.

The best compliment I can get after a set isn't someone telling me they knew every track.

It's someone saying:

"I wasn't expecting that."

Or:

"I need that tune."

Growing up, I used to wait for DJs like Laidback Luke to upload their radio shows every week. I'd spend hours going through tracklists trying to find the records that stood out to me. The DJs I looked up to weren't just playing music — they were introducing people to entirely new worlds.

That's what I still try to do today.

My club sets and radio shows serve different purposes.

In clubs, the goal is simple: create moments, make people move and give them a reason to lose themselves for a few hours.

Radio is where I go deeper.

It's where I play the records that are too strange, too niche or too early for the dancefloor. The unreleased ideas, underground cuts and influences that don't always fit into a peak-time club set.

Both are equally important to me.

One is about energy.

The other is about discovery.

A lot of my life has been spent moving. I've travelled extensively across Australia, lived out of backpacks, worked in hospitality, spent years figuring things out and made music from hostel rooms, campsites, shared apartments and tiny bedrooms.

Some of my favourite records started on a laptop sitting on a camping table in the middle of nowhere.

No studio.

No plan.

Just an idea worth finishing.

Eventually I realised something.

No matter where I was or what I was doing, I always came back to music.

After years of treating it as something I fitted around work, travel and life, I made the decision to go all in.

Not because it was the safe option.

Because it was the only thing I never stopped caring about.

Today, FUZZ is based in Australia and continues to build through clubs, radio, community and a genuine love for discovering new music.

The mission is still the same as it was when I started:

Find music that excites me.

Share it with other people.

And hopefully leave them wanting more.